The Muse Marquee

Marquee Blog
Meet the Editors
Poppacrit's Den
Mother Hen's Bin
Up From Down Under
Worlds Apart
Between Writer and Pen
October 2009 Flashers
Flashers Archives
Poets Corner
POETRY Archives
Marquee E-Book Shop
Interview Archives
Marquee Bookstore
The Muse Marquee Ad Rates
Advertisers Links
Helpful Links
January 2008 Mother Hen's Bin

Plots and Subplots

by Lea Schizas


When you begin to think about your storyline some of the things to consider are:


  • The events to unfold in your story
  • How the subplots will coincide smoothly with the main plot
  • Your end resolution, finalizing all the subplots into one conclusion


Your plot reveals your character’s objective and how he will resolve the obstacles in his path. It also gives your reader an impression (through the process of resolving his obstacles) of your character’s personality.


The subplots are a sequence of events that build up to your climax, the area where your character has to make a turning point in his quest. He doesn’t have to resolve all of the obstacles but he must be shown to try in some way.


Mapping out the route of the subplots to be written in your story helps to keep them in a logical and chronological order. This adds tension and action, which helps to build interest in your reader.


For example: in my Young Adult fantasy/adventure, The Rock of Realm, I introduce my main character, Alexandra Stone, place her in a situation where she discovers she’s a princess to a world she never knew existed. The fact her parents kept it from her angers her so I’ve placed an emotion in her to try and resolve before the end of the book. The fact she finds herself transported to this new world begins her adventure. Along the way I place various obstacles she must hurdle in victory to get to her final destination and back home safely. In each obstacle, she discovers something about herself and her friends along the way: bravery, friendship, courage, etc.


I use a mixture of dialogue and descriptive details to move the story forward. However, each scene follows and builds from the previous I’ve already set in motion. Nothing jumps out of sequence to confuse a reader. I build the suspense slowly, pulling in the reader. There are times where all seems lost for her and this helps once again to connect the reader to the character and keep them glued to find out how she’s going to get out of this muck. It’s at this low point I finally show a change occurring in Alexandra, show a side of her that begins to evaluate her surroundings, her opponent…the brave and daring Alexandra finally comes out after several close calls.


During the climax, a battle she will have to face, my twist to the story is introduced that puts the beginning foreshadows finally into light and binds all the subplots together.


So, to summarize:


What is your storyline?

What subplots will you have?

How will you resolve them in the end?

What changes or how will your character change in the end?


Hope this helped.


Lea Schizas